Past
How can the arts contribute to a better understanding of our world and our lives? What do they have to say that cannot be expressed by other means? How can art and culture impact political realities in a culture of power politics, and what gives them the moral authority to do so? Featuring artist and writer Farrah Karapetian; artist, theater director, curator, and art journalist Ada Mukhina; architect and thinker Kulapat Yantrasast; and Patrick Scott, artistic and executive director of Jacaranda Music. Moderated by Joes Segal, Chief Curator and Director of Programming at the Wende Museum.
Videograms of a Revolution focuses on the December 1989 Romanian Revolution and reconstructs the five days of events from multiple real-time viewpoints. The film is compiled from over 125 hours of both official state broadcasts and amateur footage, filmed in both the state television studios and the streets of Bucharest. "If at the outbreak of the uprising only one camera dared to record," said Farocki, "hundreds were in operation on the following day."
Screened in conjunction with Watching Socialism: The Television Revolution in Eastern Europe, on view through October 20, the film offers a further investigation into ideas in the exhibition, and questions the relationship between power, history, and the televised image.
Since the Soviet Union’s collapse, Russia’s political system has evolved from a communist order to a chaotic democracy, and now to an increasingly personalized authoritarian state. Its leader, Vladimir Putin, is determined to get the world’s respect, through military actions and cyber-espionage, if not through diplomacy. Thirty years after the end of the Cold War, what kind of political regime has Putin built and how great a threat does he pose to the West and its allies? What is the role of the media in the current political landscape? And what are the main continuities and discontinuities between the Soviet Union and Putin’s Russia?
Hanns Eisler settled in the United States in 1938 after fleeing National Socialism. In the late 1940s, he was interrogated by HUAC and blacklisted. Described as “the Karl Marx of music,” Eisler left the United States in 1948, and eventually settled in East Germany, where he composed the national anthem for the GDR. Hollywood Elegies, a program of compositions by Hanns Eisler presented by Long Beach Opera, reflects on one of the most divisive periods of the Cold War.
Step back in time and encounter the zoetrope, one of the first animation devices. Kids will make their own zoetropes and use them to animate images. Participants will also be invited to make collages à la the Russian abstract art movement
Suprematism. It's all inspired by Stas Orlovski's installation Running Man, which will transform the East German Guardhouse in the Wende garden from a symbol of surveillance into a magic lantern where histories collide.
The Wende Museum presents a lecture-performance featuring segments of the feature-length documentary film (currently in post-production) by director Mila Turaljić, in conversation with Robeson Taj Frazier, curatorial consultant for Nonalignment and Tito in Africa.
What was on view on television in socialist Eastern Europe? Which programs attracted the highest viewer ratings? How did socialist television programs differ from – or perhaps resemble – their Western equivalents? And what do they tell us about everyday life on the other side of the Iron Curtain?
Join us for a fascinating journey through socialist-era television with leading experts on socialist television history – Christine Evans (University of Wisconsin Milwaukee), Anikó Imre (USC, Los Angeles), and Sabina Mihelj (Loughborough University, UK). The event will feature clips from a range of entertainment, fictional, and educational programs broadcast in socialist Hungary, Poland, Yugoslavia, and the Soviet Union.
Author and cultural historian Robeson Taj Frazier will discuss the role that different forms of media played in Yugoslavia's and China's efforts to represent themselves as allies of African independence and liberation movements. For China and Yugoslavia, and their respective leaders, media and representation were key tools in fostering an image of their governments as central agents in advancing a global anticolonial wave that would change the world for the better. Furthermore, such representation aided them in nationalizing and domesticating their own citizenries. In his discussion of this history, Dr. Frazier will incorporate a variety of media and artistic examples to highlight the importance that representation and culture played -- particularly depictions of Africa—in both Yugoslavia's and China's efforts to circulate particular narratives of nonalignment and anticolonial solidarity.
The Wende's August Family Day, presented in conjunction with curatorial consultant Robeson Taj Frazier, will explore the power of images. Dr. Frazier will offer a special talk for kids on how and why images have the power to influence us, which will inspire a poster-making activity in the garden.
Enjoy drinks and light refreshments in the Wende Sculpture Garden, plus a spotlight talk by the Wende Museum's Visitor Engagement Education & Volunteer Lead Henry Laurence.
The Wende Museum and the Southern California chapter of the Society of Architectural Historians (SAH/SCC) welcome author Stuart W. Leslie, PhD, for a talk on “The Architecture of Apocalypse: Thinking About the Unthinkable in Style,” based on his contribution to the new anthology Laboratory Lifestyles: The Construction of Scientific Fictions. Leslie's essay on the aerospace and think-tank architecture of the Cold War explores the architectural legacy of local institutions, such as the Rand Corporation and Hughes Research Lab. At this event, Leslie will compare the architecture of three U.S. think tanks with three Soviet think tanks of the same era. Beginning at 6:00pm, a reception including refreshments will be provided in the museum courtyard.
The reception is free and and is open to all registered guests, with the program to follow at 7:00pm.
In conjunction with the exhibition Watching Socialism: the Television Revolution in Eastern Europe, the Wende Museum presents Hotel Dallas. Playfully mixing fiction and documentary, Hotel Dallas is a surreal parable of communism, capitalism, and the power of art.
The Wende Museum of the Cold War, in partnership with the UCLA Alumni Silicon Beach Network, invites you to a reception and screening of acclaimed filmmaker Miloš Forman's 1967 comedy The Firemen's Ball.
Join us on Sunday, July 28th, as we enjoy a special Family Day at the Wende: Try your hand at being a secret agent with fun spy-themed activities for kids, as well as a spotlight talk for all ages on the history of espionage in the Cold War.
The Wende Museum invites you to a screening of short films in conjunction with the exhibition Watching Socialism: The Television Revolution in Eastern Europe. The evening's program includes an animated short film from the Wende Museum's High School Media Workshop alongside contemporary shorts by American and Eastern European artists and filmmakers.