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X-WR-CALDESC:Events for Wende Museum
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DTSTART;TZID=America/Los_Angeles:20260904T190000
DTEND;TZID=America/Los_Angeles:20260904T210000
DTSTAMP:20260824T204034Z
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SUMMARY:MingKwai: The Chinese Typewriter that Globalized the Digital Age
DESCRIPTION:Join us at the Wende Museum for the story of the MingKwai Chinese Typewriter\, a machine of near-mythical reputation that debuted in 1947\, disappeared for decades\, and was rediscovered in a basement in New York. \nInvented by Chinese-born author and translator Lin Yutang\, the MingKwai was a revolutionary attempt to rethink the typewriter for the Chinese language. Far more than an unusual writing machine\, its ingenious design anticipated ideas that would later become central to Chinese computing and the global digital age. \nDr. Thomas S. Mullaney\, Guggenheim Fellow and Professor of Chinese History at Stanford University\, brokered the agreement that secured the sole surviving prototype for the public\, arranging for it to be entrusted to the Stanford University Libraries. The rediscovery was featured in a front-page article in The New York Times. \nIn this talk\, Mullaney tells the extraordinary story of the MingKwai: how it worked\, why it mattered\, how it traveled across continents and vanished from view\, and how its rediscovery culminated in an effort to preserve it for the public. Drawing on nearly 20 years of research into Chinese information technology\, he shows how efforts to solve the challenges of Chinese writing shaped technologies that extend far beyond China. \nThe program invites audiences to reconsider a larger question: What does the history of the digital age look like when we tell it from beyond the English-speaking world? \nThe talk is followed by a Q&A and a wine reception in the garden. \nBio \nTom Mullaney is Professor of History at Stanford University and a Guggenheim Fellow. Author of The Chinese Typewriter (John King Fairbank Prize) and How We Disappear\, he built the world’s largest collection on East Asian information technology history and negotiated Stanford’s acquisition of the legendary MingKwai typewriter.
URL:https://wendemuseum.org/event/mingkwai/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/png:https://wendemuseum.org/wp-content/uploads/2026/08/chinesetypewriter-16x9-1.png
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DTSTART;TZID=America/Los_Angeles:20260911T180000
DTEND;TZID=America/Los_Angeles:20260911T210000
DTSTAMP:20261030T145809Z
CREATED:20260818T214257Z
LAST-MODIFIED:20261030T145809Z
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SUMMARY:Photographing the War in Ukraine with Mark Neville
DESCRIPTION:Photographer Mark Neville has lived in Ukraine since 2020 and stayed in Kyiv through four years of war. He co-founded Postcode Ukraine\, a charity that drives humanitarian aid to frontline towns. On every trip he photographs the people he meets\, and those photographs became his books. \nNeville has spent his career asking what a photograph is for. He works closely with the communities he shoots\, and he often puts the finished work back in their hands. His books travel as tools. He mailed Stop Tanks with Books to diplomats\, journalists\, and politicians two weeks before the full invasion began. He sends Diary of a Volunteer out one copy at a time\, asks each reader to live with it\, then has it collected and passed on. \nJoes Segal\, Chief Curator at the Wende Museum\, talks with Neville about what a camera can do in a war. \nA complimentary garden reception begins at 6 p.m.\, and the program begins at 6:30 p.m. in the A-Frame Theater at the Wende Museum’s Community Center. Seating is first come\, first served. \nBio\nMark Neville is a British artist based in Kyiv who works across art\, activism\, and documentary photography. He has had solo exhibitions at the Andy Warhol Museum in Pittsburgh\, the Imperial War Museum in London\, and The Photographers’ Gallery in London. His books include Stop Tanks with Books\, Battle Against Stigma\, and Diary of a Volunteer.
URL:https://wendemuseum.org/event/photographing-the-war-in-ukraine-with-mark-neville/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/png:https://wendemuseum.org/wp-content/uploads/2026/08/postcode-ukraine-16x9-1.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260919T140000
DTEND;TZID=America/Los_Angeles:20260919T160000
DTSTAMP:20260811T210518Z
CREATED:20260811T210342Z
LAST-MODIFIED:20260811T210518Z
UID:10001707-1789826400-1789833600@wendemuseum.org
SUMMARY:Navigating Our Media Ecosystem: Reclaiming Our Stories & Media
DESCRIPTION:The stories we hear and see shape the world we live in. During these two free hands-on workshops\, we will explore our relationships with media\, technology\, and popular culture. We will analyze media and create our own alternative messages with a focus on the ways environmental and climate justice impact our health. \nThese events are free for everyone. We are all part of a media ecosystem\, whether we’re on social media\, watching YouTube\, reading articles\, or sharing links with our friends and family. We will explore tools for critical media literacy and – as a community- discover how we can tell our own stories and create our own media. \nJoin Dr. Jeff Share\, PhD\, award-winning photojournalist and educator\, UCLA senior lecturer\, and author of numerous articles and books on critical media literacy and Dr. Amanda d’Almeida MD\, MPH\, family medicine physician at UCLA with a background in social media and environmental justice for these community events! We hope to see you there.
URL:https://wendemuseum.org/event/navigating-our-media-ecosystem-reclaiming-our-stories-media/2026-09-19/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Community Partner,Conversation
ATTACH;FMTTYPE=image/jpeg:https://wendemuseum.org/wp-content/uploads/2026/08/MediaLiteracy-JPGImage-1.jpg
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DTSTART;TZID=America/Los_Angeles:20260920T140000
DTEND;TZID=America/Los_Angeles:20260920T160000
DTSTAMP:20260914T162950Z
CREATED:20260812T205808Z
LAST-MODIFIED:20260914T162950Z
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SUMMARY:Racist by Design: Kelly Lytle Hernández in Conversation
DESCRIPTION:Kelly Lytle Hernández launches her new book Racist by Design in conversation with New York Times contributing opinion writer Jean Guerrero. \nThe book traces the American immigration system from its origins to the way it works today. Most accounts begin with the Chinese Exclusion Act of the late nineteenth century. Lytle Hernández starts a full century earlier\, with the Haitian Revolution of the 1790s\, which prompted both the country’s first immigration bans and its first refugee resettlement program. She shows how eugenicists and Jim Crow segregationists built much of the current system as expressly whites only\, and how Congress amended that system during the Civil Rights Movement while leaving many of its rules intact. She calls the book “an act of sabotage\,” a blueprint published so the system can be dismantled. \nLytle Hernández and Guerrero will discuss that history and what rebuilding a just immigration system would take. \nVillage Well Books & Coffee will sell copies on site. A reception with wine and light bites follows the conversation in the garden. \nSeating for this free program is first come\, first served. \nKelly Lytle Hernández is the Thomas E. Lifka Endowed Chair in History at UCLA and a MacArthur Fellow. She is the author of Racist by Design\, Bad Mexicans\, and other award-winning books on race\, immigration\, policing\, and incarceration. She lives in Los Angeles. \nJean Guerrero is a contributing opinion writer for the New York Times and a visiting professor at the USC Annenberg School for Communication and Journalism. She is the author of Hatemonger: Stephen Miller\, Donald Trump\, and the White Nationalist Agenda\, and of Crux: A Cross-Border Memoir\, which won a PEN Literary Award. She was a columnist at the Los Angeles Times and covered the U.S.-Mexico border as an investigative reporter at KPBS\, where she won an Emmy and contributed to NPR and the PBS NewsHour. Her work has appeared in Vanity Fair\, Politico\, The Nation\, Wired\, the Washington Post\, and the Wall Street Journal. She lives in Los Angeles.
URL:https://wendemuseum.org/event/racist-by-design/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Conversation
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260926T140000
DTEND;TZID=America/Los_Angeles:20260926T160000
DTSTAMP:20260911T214825Z
CREATED:20260911T214752Z
LAST-MODIFIED:20260911T214825Z
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SUMMARY:Boy Gets Tractor (Plus or Minus Girl): A Lecture with Lilya Kaganovsky
DESCRIPTION:This talk will focus on two films made in Soviet Uzbekistan in the early 1930s: the 1931 fiction film\, Her Right (Uning Huquqi / Её право)\, directed by Grigorii Cherniak\, and the semi-documentary film\, Arabi (1930)\, directed by Nina Zubova\, to think about the relationship between gender\, nature\, ecology\, and Soviet power. \nLilya Kaganovsky is Professor of Slavic\, East European and Eurasian Languages and Cultures and Affiliate Professor in Film\, Television and Digital Media at UCLA. She specializes in Soviet and post-Soviet cinema\, focusing on questions of gender and ideology. Her publications include How the Soviet Man was Unmade (Pittsburgh\, 2008)\, The Voice of Technology: Soviet Cinema’s Transition to Sound\, 1928–1935 (Indiana\, 2018)\, and three co-edited volumes: Arctic Cinemas and the Documentary Ethos (2019); Sound\, Speech\, Music in Soviet and Post-Soviet Cinema (with Masha Salazkina\, Indiana\, 2014)\, and Mad Men\, Mad World: Sex\, Politics\, Style and the 1960s (2013). Her research has been supported by the American Council of Learned Societies\, the Social Science Research Council\, the National Endowment for the Humanities\, and the Mellon Foundation. She is currently working on a book on Soviet women’s cinema: Amazons of the Soviet Avant-garde: Early Women Filmmakers in the USSR. \nA Q&A follows the talk\, and the afternoon concludes with a reception in the garden. \nThe program takes place in the A-Frame Theater at the Wende Museum. Seating is first come\, first served. \nPresented in partnership with the UCLA Center for European and Russian Studies. \nImage: Tractor Operators In A Field. A tractor in a field with Stalin’s portrait\, circa 1940. Photo by Max Penson/Getty Images.
URL:https://wendemuseum.org/event/boy-gets-tractor-plus-or-minus-girl-a-lecture-with-lilya-kaganovsky/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/png:https://wendemuseum.org/wp-content/uploads/2026/09/uzbek-16x9-1-scaled.png
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