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DTSTART;TZID=America/Los_Angeles:20260801T103000
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DTSTAMP:20260721T214549Z
CREATED:20260721T214549Z
LAST-MODIFIED:20260721T214549Z
UID:10001631-1785580200-1785585600@wendemuseum.org
SUMMARY:Saved by a Story–Wildfire Survivor Writing Workshop
DESCRIPTION:Participants of all ages welcomed. Please arrive 5 or 10 minutes early to get settled\, as we start the group promptly at 10:30 a.m. \nCome together to write about the history of the cherished places we have been\, what we have lost (and found)\, and how we will chart a way forward. \nWe’ll write to timed prompts to spark creativity\, share stories\, and connect. \nWe’ll meet Saturdays on the campus of the fascinating Wende Museum. The Wende is a cultural center\, art museum and archive that brings history to life. \nFor more information\, email: kathleenkatims@gmail.com \nPlease enter through the garden gate from the parking lot at 10858 Culver Blvd. \nRSVPs for this free program do not guarantee admission. Doors will open and seating will begin 15 minutes prior to the start of the program. Limited seating is available on a first come\, first served basis. Please note that doors will close promptly at the program’s start time and late entry will not be permitted.
URL:https://wendemuseum.org/event/wildfire-writing-workshop-2026-2/2026-08-01/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Wellness,Workshop
ATTACH;FMTTYPE=image/png:https://wendemuseum.org/wp-content/uploads/2026/01/wildfire-survivor.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260802T103000
DTEND;TZID=America/Los_Angeles:20260802T123000
DTSTAMP:20260728T215420Z
CREATED:20260728T215420Z
LAST-MODIFIED:20260728T215420Z
UID:10001683-1785666600-1785673800@wendemuseum.org
SUMMARY:Samizdat Sundays
DESCRIPTION:Join us for Samizdat Sundays—hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each week offers a different project\, connecting archival stories of subversion with contemporary making. \nWe encourage participants to bring an item each week—a T‑shirt\, a pair of jeans\, or any textile you’re ready to transform\, repair\, or experiment with. \nEach session is free\, open to all skill levels\, and guided by artists who delight in subversion and play. Come for one or come for all—together we’ll stitch\, alter\, repair\, and imagine new forms of expression. \nJoin us for Samizdat Sundays—hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each week offers a different project\, connecting archival stories of subversion with contemporary making. \nAugust 2: I am HERE. Today\, we will make a piece that declares we are here\, in this time and space. We will look at the work of On Kawara\, Tehching Hsieh\, Sho Shibuya and JB Daniel\, artists who have made a practice of documenting their days as they lived them. Sometimes these works are incredibly simple\, like the date/time works of On Kawara or the daily sky photos of JB Daniel; sometimes they are more complicated\, like the beautiful paintings Sho Shibuya has made on the front cover of the daily New York Times since the Covid lockdown. What will you make to declare “I am here\,” to document your experience today? Will you begin with our latitude/longitude? The time on your smartphone? Or will you begin with a memory or a feeling or a color? Your work can be a collage or a drawing or a textile\, or perhaps a combination of all three. \nAugust 9: Time Capsule. There are time capsules being prepared across the country in celebration of the 250th anniversary of the signing of the Declaration of Independence (you can read about the 50-state one here: https://america250.org/time-capsule/contents/). These capsules will be buried\, sent into outer space\, opened early and perhaps lost for good. Many time capsules are PR stunts\, but as my friend archaeologist Shannon Dawdy proposed in her Chronoscope Substack newsletter recently (https://shannonleedawdy.substack.com/p/so-whats-in-your-time-capsule)\, “we use time capsules to try to understand — or to assert — what this present moment is all about and to project ourselves into the future.” Today we will make an object for a theoretical time capsule. Perhaps you really will send yours into the future by burying your object or adding it to a local time capsule\, or perhaps your time capsule is conceptual rather than physical. What object would you like to make for the future? \nAugust 16: The Time-Keeper Appliqué/Embellishment. Have you met someone who has tattoos that mark a period in their life (or do you yourself have such a tattoo)? Throughout human history\, people have embellished their bodies and their clothing to reflect their lives as they lived them. Soldiers wear medals and patches that declare aspects of their service and training; tattoos and scarring may document rites of passage and other transitions; backpacks and jean jackets may be decorated with patches and pins from festivals\, camps\, schools\, travels\, etc. In today’s workshop\, we will add an applique or embellishment to a favorite piece of clothing\, bag\, or other object\, as a reminder of this time of our lives. Perhaps you will begin by making a decorated patch; perhaps you will move straight into embroidering your object directly; or perhaps your embellishment will be hidden from view\, only known to you. Bring a textile (or two) to play with — a canvas bag\, a shirt\, a pair of pants\, a bandana — whatever you would like to transform into a time keeper. \nAugust 23: Hidden Pocket. Today we will reprise a popular workshop from last summer: the hidden pocket. Hidden pockets have been used for millennia to hide\, conceal\, and keep safe objects that the wearer does not want others to see (at least not when they’re walking around town). During the Soviet Era\, hidden pockets in large overcoats were used to transport handwritten Samizdat. In the Iron Age\, a woman who lived in modern day Denmark wore a cloak with a secret pocket sewn closed (she is known as the “Huldremose Woman.”) that contained small objects that have been described by archaeologists as talismans and charms. Today we will sew a hidden pocket into a piece of clothing (and perhaps make an object or two to keep in the pocket as well)\, or make a small pouch that can be worn around our necks and hidden in our shirts\, or around our waists and hidden in our pants. Perhaps your hidden pocket is visible from the outside\, even if it’s contents are not\, or perhaps your hidden pocket is truly hidden from everyone but you. What will you keep in your pocket? \nAugust 30: Finish It Clinic. Today\, we will finish up projects. If you don’t have anything to finish\, don’t despair! Come and I will give you a project from a past workshop to do during our time together. \nAbout the teaching artist \nKate Ingold is an LA-based artist and poet working with the discarded\, the damaged\, and the worn out. Materials and methods include textiles\, collage\, photography\, video\, ceramics\, and performative installation. She works in series driven by conceptual concerns and is currently making work in two interwoven projects: Relics for Future Rituals and Damaged Goods/Small Repairs. \nRSVPs for this free program do not guarantee admission. Limited seating is available on a first come\, first served basis. \nAn ADA-accessible entrance to the Wende Museum Community Center is available through the garden gate from the parking lot. This gate will be opened approximately 15 minutes prior to the program.
URL:https://wendemuseum.org/event/samizdat-sundays-2-2/2026-08-02/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://wendemuseum.org/wp-content/uploads/2025/07/hippie-flag-16x9-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260802T103000
DTEND;TZID=America/Los_Angeles:20260802T130000
DTSTAMP:20260729T183953Z
CREATED:20260715T184654Z
LAST-MODIFIED:20260729T183953Z
UID:10001673-1785666600-1785675600@wendemuseum.org
SUMMARY:Summer Camp at the Stevie | Smelling for Mental Wellbeing
DESCRIPTION:Reconnect with your creativity through Summer Camp at the Stevie\, a five-part workshop series that invites adults (age 16+) to experience art making through the senses. Set in the Wende Museum’s Stevie Artist Residence garden oasis\, each Sunday workshop explores one of the five senses through a different creative practice\, from watercolor painting and basket weaving to ceramics\, scent making\, and traditional food preservation. \nInspired by the spirit of summer camp\, the series encourages participants to slow down\, notice the world around them\, and engage with natural materials in meaningful ways. Together\, we’ll observe the colors of the landscape\, listen through handmade instruments\, weave with plant fibers\, create fragrances from botanicals\, and preserve seasonal ingredients\, discovering how creativity can deepen our relationship to the environment and one another. \nDesigned for artists and beginners alike\, Summer Camp at the Stevie celebrates making by hand as a pathway to mindfulness\, curiosity\, and community. Whether you attend a single workshop or join us for the full series\, you’ll leave with new skills\, meaningful connections\, and a renewed appreciation for the beauty found in the natural world. \nWhat is the Stevie? \nTucked away on the southwestern side of the Wende Museum’s Community Center\, the Stevie is a “tiny house” turned creative outpost. Surrounded by palms and desert landscaping\, it serves as both an artist residency space and an intimate venue for programs\, gatherings\, and experimental events on its expansive outdoor deck. The Stevie was made possible by a transformative contribution from Steve and Jadwiga Markoff. \nWorkshop Description: SCENT | Smelling for Mental Wellbeing: Aromatic Smelling Salts for Olfactory and Mental Health with Hana Tisserand\, Tisserand Institute \nExplore the importance of our sense of smell for health\, from an early biomarker of cognitive decline to a simple tool for mental wellbeing. This hands-on workshop covers the evidence base for inhalation aromatherapy and the power of aromatic anchoring\, and includes a quick smell test. Participants will blend customized smelling salts to take home. All materials will be provided. \nArtist Bio \nHana Tisserand is the co-founder and director of operations and communications at the Tisserand Institute\, the global leader in evidence-based essential oil education. She oversees the creation of course content and curricula\, moderates live webinars\, and teaches her own classes. Her background in French and English translation and in adult education gives her a distinct perspective on how information about essential oils is sourced\, processed\, and communicated. She has worked at the Tisserand Institute for over a decade\, and her love for science\, essential oils\, perfumes\, and fragrances runs even deeper\, as does her appreciation for fine teas and coffee.
URL:https://wendemuseum.org/event/summer-camp-at-the-stevie-essential-oil-kinetics-with-hana-tisserand/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://wendemuseum.org/wp-content/uploads/2026/07/summer-camp-at-the-stevie.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260806T173000
DTEND;TZID=America/Los_Angeles:20260806T190000
DTSTAMP:20260622T225005Z
CREATED:20260429T170823Z
LAST-MODIFIED:20260622T225005Z
UID:10001627-1786037400-1786042800@wendemuseum.org
SUMMARY:The Movement Playground with Cantilever Collective
DESCRIPTION:Step into the spontaneous spirit of The Movement Playground\, a dance workshop series from Cantilever Collective. Each session is improvised\, ephemeral\, and open to all—no dance experience required. With live-mixed soundscapes\, playful prompts\, and space to move freely\, these workshops invite you to explore connection\, curiosity\, and joy through your own body’s language. \nOne day’s “play” will never be the same as the next. Come as you are. Move how you feel. \nAn ADA-accessible entrance to the Wende Museum Community Center is available through the garden gate from the parking lot. It will open approximately 30 minutes before the program begins. \nRSVPs for this free program do not guarantee admission to the A-Frame Theater. Doors will open and seating will begin 15 minutes prior to the start of the program. Limited seating is available on a first come\, first served basis. Please note that doors will close promptly at the program’s start time and late entry will not be permitted.
URL:https://wendemuseum.org/event/the-movement-playground-with-cantilever-collective-2/2026-08-06/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://wendemuseum.org/wp-content/uploads/2025/09/a0235bd53afbd3dd499f0ff85a44e585-8eFkwX.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260809T103000
DTEND;TZID=America/Los_Angeles:20260809T123000
DTSTAMP:20260728T215420Z
CREATED:20260728T215420Z
LAST-MODIFIED:20260728T215420Z
UID:10001684-1786271400-1786278600@wendemuseum.org
SUMMARY:Samizdat Sundays
DESCRIPTION:Join us for Samizdat Sundays—hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each week offers a different project\, connecting archival stories of subversion with contemporary making. \nWe encourage participants to bring an item each week—a T‑shirt\, a pair of jeans\, or any textile you’re ready to transform\, repair\, or experiment with. \nEach session is free\, open to all skill levels\, and guided by artists who delight in subversion and play. Come for one or come for all—together we’ll stitch\, alter\, repair\, and imagine new forms of expression. \nJoin us for Samizdat Sundays—hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each week offers a different project\, connecting archival stories of subversion with contemporary making. \nAugust 2: I am HERE. Today\, we will make a piece that declares we are here\, in this time and space. We will look at the work of On Kawara\, Tehching Hsieh\, Sho Shibuya and JB Daniel\, artists who have made a practice of documenting their days as they lived them. Sometimes these works are incredibly simple\, like the date/time works of On Kawara or the daily sky photos of JB Daniel; sometimes they are more complicated\, like the beautiful paintings Sho Shibuya has made on the front cover of the daily New York Times since the Covid lockdown. What will you make to declare “I am here\,” to document your experience today? Will you begin with our latitude/longitude? The time on your smartphone? Or will you begin with a memory or a feeling or a color? Your work can be a collage or a drawing or a textile\, or perhaps a combination of all three. \nAugust 9: Time Capsule. There are time capsules being prepared across the country in celebration of the 250th anniversary of the signing of the Declaration of Independence (you can read about the 50-state one here: https://america250.org/time-capsule/contents/). These capsules will be buried\, sent into outer space\, opened early and perhaps lost for good. Many time capsules are PR stunts\, but as my friend archaeologist Shannon Dawdy proposed in her Chronoscope Substack newsletter recently (https://shannonleedawdy.substack.com/p/so-whats-in-your-time-capsule)\, “we use time capsules to try to understand — or to assert — what this present moment is all about and to project ourselves into the future.” Today we will make an object for a theoretical time capsule. Perhaps you really will send yours into the future by burying your object or adding it to a local time capsule\, or perhaps your time capsule is conceptual rather than physical. What object would you like to make for the future? \nAugust 16: The Time-Keeper Appliqué/Embellishment. Have you met someone who has tattoos that mark a period in their life (or do you yourself have such a tattoo)? Throughout human history\, people have embellished their bodies and their clothing to reflect their lives as they lived them. Soldiers wear medals and patches that declare aspects of their service and training; tattoos and scarring may document rites of passage and other transitions; backpacks and jean jackets may be decorated with patches and pins from festivals\, camps\, schools\, travels\, etc. In today’s workshop\, we will add an applique or embellishment to a favorite piece of clothing\, bag\, or other object\, as a reminder of this time of our lives. Perhaps you will begin by making a decorated patch; perhaps you will move straight into embroidering your object directly; or perhaps your embellishment will be hidden from view\, only known to you. Bring a textile (or two) to play with — a canvas bag\, a shirt\, a pair of pants\, a bandana — whatever you would like to transform into a time keeper. \nAugust 23: Hidden Pocket. Today we will reprise a popular workshop from last summer: the hidden pocket. Hidden pockets have been used for millennia to hide\, conceal\, and keep safe objects that the wearer does not want others to see (at least not when they’re walking around town). During the Soviet Era\, hidden pockets in large overcoats were used to transport handwritten Samizdat. In the Iron Age\, a woman who lived in modern day Denmark wore a cloak with a secret pocket sewn closed (she is known as the “Huldremose Woman.”) that contained small objects that have been described by archaeologists as talismans and charms. Today we will sew a hidden pocket into a piece of clothing (and perhaps make an object or two to keep in the pocket as well)\, or make a small pouch that can be worn around our necks and hidden in our shirts\, or around our waists and hidden in our pants. Perhaps your hidden pocket is visible from the outside\, even if it’s contents are not\, or perhaps your hidden pocket is truly hidden from everyone but you. What will you keep in your pocket? \nAugust 30: Finish It Clinic. Today\, we will finish up projects. If you don’t have anything to finish\, don’t despair! Come and I will give you a project from a past workshop to do during our time together. \nAbout the teaching artist \nKate Ingold is an LA-based artist and poet working with the discarded\, the damaged\, and the worn out. Materials and methods include textiles\, collage\, photography\, video\, ceramics\, and performative installation. She works in series driven by conceptual concerns and is currently making work in two interwoven projects: Relics for Future Rituals and Damaged Goods/Small Repairs. \nRSVPs for this free program do not guarantee admission. Limited seating is available on a first come\, first served basis. \nAn ADA-accessible entrance to the Wende Museum Community Center is available through the garden gate from the parking lot. This gate will be opened approximately 15 minutes prior to the program.
URL:https://wendemuseum.org/event/samizdat-sundays-2-2/2026-08-09/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://wendemuseum.org/wp-content/uploads/2025/07/hippie-flag-16x9-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260809T103000
DTEND;TZID=America/Los_Angeles:20260809T130000
DTSTAMP:20260715T190213Z
CREATED:20260715T190213Z
LAST-MODIFIED:20260715T190213Z
UID:10001674-1786271400-1786280400@wendemuseum.org
SUMMARY:Summer Camp at the Stevie | Seasonal Pickling Workshop with Jess Wang
DESCRIPTION:Reconnect with your creativity through Summer Camp at the Stevie\, a five-part workshop series that invites adults (age 16+) to experience art making through the senses. Set in the Wende Museum’s Stevie Artist Residence garden oasis\, each Sunday workshop explores one of the five senses through a different creative practice\, from watercolor painting and basket weaving to ceramics\, botanical incense making\, and traditional food preservation. \nInspired by the spirit of summer camp\, the series encourages participants to slow down\, notice the world around them\, and engage with natural materials in meaningful ways. Together\, we’ll observe the colors of the landscape\, listen through handmade instruments\, weave with plant fibers\, create fragrances from botanicals\, and preserve seasonal ingredients\, discovering how creativity can deepen our relationship to the environment and one another. \nDesigned for artists and beginners alike\, Summer Camp at the Stevie celebrates making by hand as a pathway to mindfulness\, curiosity\, and community. Whether you attend a single workshop or join us for the full series\, you’ll leave with new skills\, meaningful connections\, and a renewed appreciation for the beauty found in the natural world. \nWhat is the Stevie? \nTucked away on the southwestern side of the Wende Museum’s Community Center\, the Stevie is a “tiny house” turned creative outpost. Surrounded by palms and desert landscaping\, it serves as both an artist residency space and an intimate venue for programs\, gatherings\, and experimental events on its expansive outdoor deck. The Stevie was made possible by a transformative contribution from Steve and Jadwiga Markoff. \nWorkshop Description: TASTE | Seasonal Pickling Workshop with Jess Wang\, Founder\, Gu Grocery \nDiscover the vibrant traditions of Chinese and Taiwanese pickling in this hands-on culinary workshop led by Jess Wang. Participants will learn the fundamentals of fermentation and quick pickling while exploring the cultural histories\, family recipes\, and everyday rituals surrounding preserved foods. Everyone will prepare their own jar of seasonal pickles to take home\, celebrating taste as both nourishment and storytelling. All materials will be provided. \nArtist Bio \nJess Wang is the founder of pickling workshop series Picklé and Gu Grocery\, a project dedicated to celebrating Chinese and Taiwanese food culture through community workshops\, storytelling\, and thoughtfully sourced pantry goods. Her work explores food as a vehicle for cultural memory\, bringing people together through shared meals\, preservation techniques\, and everyday traditions. \nPhoto credit: Scarlett Yaryan
URL:https://wendemuseum.org/event/summer-camp-at-the-stevie-seasonal-pickling-workshop-with-jess-wang/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://wendemuseum.org/wp-content/uploads/2026/07/summer-camp-at-the-stevie.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260809T140000
DTEND;TZID=America/Los_Angeles:20260809T150000
DTSTAMP:20260824T174055Z
CREATED:20260723T192504Z
LAST-MODIFIED:20260824T174055Z
UID:10001690-1786284000-1786287600@wendemuseum.org
SUMMARY:Illustrating Picture Books with Stephanie Lunkewitz
DESCRIPTION:Join our Picture Book Illustration Workshop led by author and illustrator Stephanie Lunkewitz. \nIn six engaging sessions\, you’ll explore storytelling\, drawing from nature\, mixing real life with fantasy\, different illustration techniques\, character design\, and storyboarding. You can choose to attend any or all of the sessions. Whether your goal is to write a story\, create illustrations\, or simply learn more about picture books\, this workshop is perfect for you. It’s open to families\, adults\, and anyone age 15 and up. Minors must be accompanied by adults. All required materials will be provided. \nAug 9 — Introduction to Children’s Literature and Storytelling \nAug 16 — Observational Drawing and Nature Inspiration \nAug 23 — Blending Realism and Fantasy in Illustrations \nSept 6 — Techniques in Illustration \nSept 13 — Character Design and Development \nSept 20 — Storyboarding and Creating Book Dummies \nAbout Stephanie Lunkewitz \nStephanie Lunkewitz\, a German-American illustrator and author\, was born into an intellectual family in East Germany and came to the West at age 12 the night after the Berlin Wall fell. Her mother\, director of the Bauhaus library in Dessau\, and her grandparents\, prolific children’s book illustrators\, shaped her creative path. Stephanie studied textile design and art history in Germany and Italy\, and built a career that includes award-winning work in silk weaving\, real estate redevelopment\, and children’s literature. She has published three illustrated books and is currently on tour with Holocaust survivor Eva Szepesi\, whose story she adapted for young readers. \nIn 2025\, a firestorm in Pacific Palisades destroyed her family home\, studio\, and much of her art archive\, but key works were saved and will be exhibited. A member of SCBWI and board director at the German Academy for Children’s Literature\, she divides her time between Frankfurt and Los Angeles\, where she runs a real estate company\, supports arts institutions like the Wende Museum\, and continues to explore her family’s history\, including her grandfather’s role in the 1953 uprising on Stalin Allee. \nADA access to the Wende Museum’s Community Center is available through the garden gate from the parking lot; this gate will be opened approximately 30 minutes before the program.
URL:https://wendemuseum.org/event/illustrating-picture-books-with-stephanie-lunkewitz/2026-08-09/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Family,Workshop
ATTACH;FMTTYPE=image/jpeg:https://wendemuseum.org/wp-content/uploads/2026/07/IMG_6156.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260812T160000
DTEND;TZID=America/Los_Angeles:20260812T180000
DTSTAMP:20260702T231431Z
CREATED:20260105T220340Z
LAST-MODIFIED:20260702T231431Z
UID:10001661-1786550400-1786557600@wendemuseum.org
SUMMARY:Saved by a Story–Intergenerational Writing Group
DESCRIPTION:Participants ages 14 and up welcomed. Please arrive 5 or 10 minutes early to get settled\, as we start the group promptly at 4pm. \nWe are excited to come together in community\, to dive into our creativity and share our stories. \nWhat is Saved by a Story-Intergenerational Writing Workshop at the Wende Museum? Participants of all ages write to prompts to spark creativity\, share stories and build community. We write to surprise ourselves and discover the bounty of stories that lie within. \nWe come together and write\, choose to share (or not\, you decide)\, listen and write some more.We do this in the beautiful environs of the Wende Museum and its provocative and compelling collection. Some of our prompts will help us engage with the current exhibitions as well as engage with each other. \nIn later groups\, we will draft stories and workshop them. \nWe offer creativity and community in a non-judgmental environment. \nThe writing group meets in person on the second and fourth Wednesday of the month. \nPlease arrive 5 or 10 minutes early to get settled as we start punctually at 4pm. \nWhat you will need:– a note book–nothing fancy–a pen–if you prefer to write on a computer\, feel free to bring that. \nWhere: \nWende Museum’s Community Center\nin the Cotsen Learning Center on the Second Floor\n10858 Culver Boulevard\nCulver City\, CA\, 90230 \n310-216-1600 \nPlease enter through the garden gate from the parking lot at 10858 Culver Blvd. \nRSVPs for this free program do not guarantee admission. Doors will open and seating will begin 15 minutes prior to the start of the program. Limited seating is available on a first come\, first served basis. Please note that doors will close promptly at the program’s start time and late entry will not be permitted.
URL:https://wendemuseum.org/event/saved-by-a-story-intergenerational-writing-group-4/2026-08-12/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Wellness,Workshop
ATTACH;FMTTYPE=image/png:https://wendemuseum.org/wp-content/uploads/2026/01/intergenerational-writing-group-cover-photo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260813T183000
DTEND;TZID=America/Los_Angeles:20260813T193000
DTSTAMP:20260629T201641Z
CREATED:20260629T195635Z
LAST-MODIFIED:20260629T201641Z
UID:10001638-1786645800-1786649400@wendemuseum.org
SUMMARY:Afro-Contemporary Workshop with Bernard Brown/bbmoves & Defacto X
DESCRIPTION:Fast-paced and educational\, this Afro-Contemporary dance technique class will challenge participants to engage body\, mind\, and spirit\, learn movement phrases\, push beyond “technique\,” and to explore their own individual performance choices throughout. Focusing on breath\, alignment\, rhythm and articulation\, this contemporary movement experience will incorporate many influences including Africanist movement technologies\, postmodern aesthetics\, and modern & contemporary dance techniques with a distinct emphasis on the foundational Katherine Dunham technique. Class will have live DJ accompaniment by DeFacto X. \nBio: \nBernard Brown is an award-winning Los Angeles-based performer\, choreographer\, arts activist\, and educator who situates their work at the intersection of Blackness\, Queerness\, and belonging. With an extensive performing career\, Bernard now serves as Executive Artistic Director of Bernard Brown/bbmoves – a social justice dance company\, choreographing for stage\, specific sites\, film\, and opera presented globally. Brown has received invitations\, residencies and commissions from On The Boards (Seattle)\, The Getty Museum (Los Angeles)\, the Centre de Développement Chorégraphique la Termitière (Burkina Faso)\, Dance Italia (Italy)\, The Music Center (Los Angeles)\, The Roy and Edna Disney/CalArts Theater (Los Angeles)\, Dance Mission Theater (San Francisco)\, danceBox (Japan)\, Johns Hopkins University\, National Immigration Law Center\, California African American Museum\, among others. Brown conducts lectures\, workshops\, and master classes internationally\, namely in Korea\, Panama\, Israel\, Burkina Faso\, Canada\, Puerto Rico\, Malta\, and Brazil\, and across the US various educational institutions and community-centered organizations. A first-generation college graduate\, Brown earned his MFA from University of California\, Los Angeles and BFA from Purchase College. He is an Assistant Professor of Dance at UC San Diego\, a Certified Katherine Dunham Technique Instructor\, and a California Arts Council Established Artist Fellow. The Los Angeles Times has called him “…the incomparable Bernard Brown…” \nThis workshop will take place in the A-Frame Theater at the Wende Museum Community Center. Please enter through the ADA-accessible garden gate entrance from the parking lot\, which will open approximately 30 minutes before the workshop begins. The gate will close 20 minutes after the program starts. We recommend wearing comfortable clothing you can move in. \nPhoto by David B. Arenas
URL:https://wendemuseum.org/event/afro-contemporary-workshop-with-bernard-brown-bbmoves-defacto-x/2026-08-13/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Wellness,Workshop
ATTACH;FMTTYPE=image/png:https://wendemuseum.org/wp-content/uploads/2026/06/bbmoves16x9.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260816T103000
DTEND;TZID=America/Los_Angeles:20260816T123000
DTSTAMP:20260728T215420Z
CREATED:20260728T215420Z
LAST-MODIFIED:20260728T215420Z
UID:10001685-1786876200-1786883400@wendemuseum.org
SUMMARY:Samizdat Sundays
DESCRIPTION:Join us for Samizdat Sundays—hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each week offers a different project\, connecting archival stories of subversion with contemporary making. \nWe encourage participants to bring an item each week—a T‑shirt\, a pair of jeans\, or any textile you’re ready to transform\, repair\, or experiment with. \nEach session is free\, open to all skill levels\, and guided by artists who delight in subversion and play. Come for one or come for all—together we’ll stitch\, alter\, repair\, and imagine new forms of expression. \nJoin us for Samizdat Sundays—hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each week offers a different project\, connecting archival stories of subversion with contemporary making. \nAugust 2: I am HERE. Today\, we will make a piece that declares we are here\, in this time and space. We will look at the work of On Kawara\, Tehching Hsieh\, Sho Shibuya and JB Daniel\, artists who have made a practice of documenting their days as they lived them. Sometimes these works are incredibly simple\, like the date/time works of On Kawara or the daily sky photos of JB Daniel; sometimes they are more complicated\, like the beautiful paintings Sho Shibuya has made on the front cover of the daily New York Times since the Covid lockdown. What will you make to declare “I am here\,” to document your experience today? Will you begin with our latitude/longitude? The time on your smartphone? Or will you begin with a memory or a feeling or a color? Your work can be a collage or a drawing or a textile\, or perhaps a combination of all three. \nAugust 9: Time Capsule. There are time capsules being prepared across the country in celebration of the 250th anniversary of the signing of the Declaration of Independence (you can read about the 50-state one here: https://america250.org/time-capsule/contents/). These capsules will be buried\, sent into outer space\, opened early and perhaps lost for good. Many time capsules are PR stunts\, but as my friend archaeologist Shannon Dawdy proposed in her Chronoscope Substack newsletter recently (https://shannonleedawdy.substack.com/p/so-whats-in-your-time-capsule)\, “we use time capsules to try to understand — or to assert — what this present moment is all about and to project ourselves into the future.” Today we will make an object for a theoretical time capsule. Perhaps you really will send yours into the future by burying your object or adding it to a local time capsule\, or perhaps your time capsule is conceptual rather than physical. What object would you like to make for the future? \nAugust 16: The Time-Keeper Appliqué/Embellishment. Have you met someone who has tattoos that mark a period in their life (or do you yourself have such a tattoo)? Throughout human history\, people have embellished their bodies and their clothing to reflect their lives as they lived them. Soldiers wear medals and patches that declare aspects of their service and training; tattoos and scarring may document rites of passage and other transitions; backpacks and jean jackets may be decorated with patches and pins from festivals\, camps\, schools\, travels\, etc. In today’s workshop\, we will add an applique or embellishment to a favorite piece of clothing\, bag\, or other object\, as a reminder of this time of our lives. Perhaps you will begin by making a decorated patch; perhaps you will move straight into embroidering your object directly; or perhaps your embellishment will be hidden from view\, only known to you. Bring a textile (or two) to play with — a canvas bag\, a shirt\, a pair of pants\, a bandana — whatever you would like to transform into a time keeper. \nAugust 23: Hidden Pocket. Today we will reprise a popular workshop from last summer: the hidden pocket. Hidden pockets have been used for millennia to hide\, conceal\, and keep safe objects that the wearer does not want others to see (at least not when they’re walking around town). During the Soviet Era\, hidden pockets in large overcoats were used to transport handwritten Samizdat. In the Iron Age\, a woman who lived in modern day Denmark wore a cloak with a secret pocket sewn closed (she is known as the “Huldremose Woman.”) that contained small objects that have been described by archaeologists as talismans and charms. Today we will sew a hidden pocket into a piece of clothing (and perhaps make an object or two to keep in the pocket as well)\, or make a small pouch that can be worn around our necks and hidden in our shirts\, or around our waists and hidden in our pants. Perhaps your hidden pocket is visible from the outside\, even if it’s contents are not\, or perhaps your hidden pocket is truly hidden from everyone but you. What will you keep in your pocket? \nAugust 30: Finish It Clinic. Today\, we will finish up projects. If you don’t have anything to finish\, don’t despair! Come and I will give you a project from a past workshop to do during our time together. \nAbout the teaching artist \nKate Ingold is an LA-based artist and poet working with the discarded\, the damaged\, and the worn out. Materials and methods include textiles\, collage\, photography\, video\, ceramics\, and performative installation. She works in series driven by conceptual concerns and is currently making work in two interwoven projects: Relics for Future Rituals and Damaged Goods/Small Repairs. \nRSVPs for this free program do not guarantee admission. Limited seating is available on a first come\, first served basis. \nAn ADA-accessible entrance to the Wende Museum Community Center is available through the garden gate from the parking lot. This gate will be opened approximately 15 minutes prior to the program.
URL:https://wendemuseum.org/event/samizdat-sundays-2-2/2026-08-16/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://wendemuseum.org/wp-content/uploads/2025/07/hippie-flag-16x9-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260816T140000
DTEND;TZID=America/Los_Angeles:20260816T150000
DTSTAMP:20260824T174055Z
CREATED:20260723T192504Z
LAST-MODIFIED:20260824T174055Z
UID:10001691-1786888800-1786892400@wendemuseum.org
SUMMARY:Illustrating Picture Books with Stephanie Lunkewitz
DESCRIPTION:Join our Picture Book Illustration Workshop led by author and illustrator Stephanie Lunkewitz. \nIn six engaging sessions\, you’ll explore storytelling\, drawing from nature\, mixing real life with fantasy\, different illustration techniques\, character design\, and storyboarding. You can choose to attend any or all of the sessions. Whether your goal is to write a story\, create illustrations\, or simply learn more about picture books\, this workshop is perfect for you. It’s open to families\, adults\, and anyone age 15 and up. Minors must be accompanied by adults. All required materials will be provided. \nAug 9 — Introduction to Children’s Literature and Storytelling \nAug 16 — Observational Drawing and Nature Inspiration \nAug 23 — Blending Realism and Fantasy in Illustrations \nSept 6 — Techniques in Illustration \nSept 13 — Character Design and Development \nSept 20 — Storyboarding and Creating Book Dummies \nAbout Stephanie Lunkewitz \nStephanie Lunkewitz\, a German-American illustrator and author\, was born into an intellectual family in East Germany and came to the West at age 12 the night after the Berlin Wall fell. Her mother\, director of the Bauhaus library in Dessau\, and her grandparents\, prolific children’s book illustrators\, shaped her creative path. Stephanie studied textile design and art history in Germany and Italy\, and built a career that includes award-winning work in silk weaving\, real estate redevelopment\, and children’s literature. She has published three illustrated books and is currently on tour with Holocaust survivor Eva Szepesi\, whose story she adapted for young readers. \nIn 2025\, a firestorm in Pacific Palisades destroyed her family home\, studio\, and much of her art archive\, but key works were saved and will be exhibited. A member of SCBWI and board director at the German Academy for Children’s Literature\, she divides her time between Frankfurt and Los Angeles\, where she runs a real estate company\, supports arts institutions like the Wende Museum\, and continues to explore her family’s history\, including her grandfather’s role in the 1953 uprising on Stalin Allee. \nADA access to the Wende Museum’s Community Center is available through the garden gate from the parking lot; this gate will be opened approximately 30 minutes before the program.
URL:https://wendemuseum.org/event/illustrating-picture-books-with-stephanie-lunkewitz/2026-08-16/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Family,Workshop
ATTACH;FMTTYPE=image/jpeg:https://wendemuseum.org/wp-content/uploads/2026/07/IMG_6156.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260820T173000
DTEND;TZID=America/Los_Angeles:20260820T190000
DTSTAMP:20260622T225005Z
CREATED:20260429T170823Z
LAST-MODIFIED:20260622T225005Z
UID:10001628-1787247000-1787252400@wendemuseum.org
SUMMARY:The Movement Playground with Cantilever Collective
DESCRIPTION:Step into the spontaneous spirit of The Movement Playground\, a dance workshop series from Cantilever Collective. Each session is improvised\, ephemeral\, and open to all—no dance experience required. With live-mixed soundscapes\, playful prompts\, and space to move freely\, these workshops invite you to explore connection\, curiosity\, and joy through your own body’s language. \nOne day’s “play” will never be the same as the next. Come as you are. Move how you feel. \nAn ADA-accessible entrance to the Wende Museum Community Center is available through the garden gate from the parking lot. It will open approximately 30 minutes before the program begins. \nRSVPs for this free program do not guarantee admission to the A-Frame Theater. Doors will open and seating will begin 15 minutes prior to the start of the program. Limited seating is available on a first come\, first served basis. Please note that doors will close promptly at the program’s start time and late entry will not be permitted.
URL:https://wendemuseum.org/event/the-movement-playground-with-cantilever-collective-2/2026-08-20/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://wendemuseum.org/wp-content/uploads/2025/09/a0235bd53afbd3dd499f0ff85a44e585-8eFkwX.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260823T103000
DTEND;TZID=America/Los_Angeles:20260823T123000
DTSTAMP:20260728T215420Z
CREATED:20260728T215420Z
LAST-MODIFIED:20260728T215420Z
UID:10001686-1787481000-1787488200@wendemuseum.org
SUMMARY:Samizdat Sundays
DESCRIPTION:Join us for Samizdat Sundays—hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each week offers a different project\, connecting archival stories of subversion with contemporary making. \nWe encourage participants to bring an item each week—a T‑shirt\, a pair of jeans\, or any textile you’re ready to transform\, repair\, or experiment with. \nEach session is free\, open to all skill levels\, and guided by artists who delight in subversion and play. Come for one or come for all—together we’ll stitch\, alter\, repair\, and imagine new forms of expression. \nJoin us for Samizdat Sundays—hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each week offers a different project\, connecting archival stories of subversion with contemporary making. \nAugust 2: I am HERE. Today\, we will make a piece that declares we are here\, in this time and space. We will look at the work of On Kawara\, Tehching Hsieh\, Sho Shibuya and JB Daniel\, artists who have made a practice of documenting their days as they lived them. Sometimes these works are incredibly simple\, like the date/time works of On Kawara or the daily sky photos of JB Daniel; sometimes they are more complicated\, like the beautiful paintings Sho Shibuya has made on the front cover of the daily New York Times since the Covid lockdown. What will you make to declare “I am here\,” to document your experience today? Will you begin with our latitude/longitude? The time on your smartphone? Or will you begin with a memory or a feeling or a color? Your work can be a collage or a drawing or a textile\, or perhaps a combination of all three. \nAugust 9: Time Capsule. There are time capsules being prepared across the country in celebration of the 250th anniversary of the signing of the Declaration of Independence (you can read about the 50-state one here: https://america250.org/time-capsule/contents/). These capsules will be buried\, sent into outer space\, opened early and perhaps lost for good. Many time capsules are PR stunts\, but as my friend archaeologist Shannon Dawdy proposed in her Chronoscope Substack newsletter recently (https://shannonleedawdy.substack.com/p/so-whats-in-your-time-capsule)\, “we use time capsules to try to understand — or to assert — what this present moment is all about and to project ourselves into the future.” Today we will make an object for a theoretical time capsule. Perhaps you really will send yours into the future by burying your object or adding it to a local time capsule\, or perhaps your time capsule is conceptual rather than physical. What object would you like to make for the future? \nAugust 16: The Time-Keeper Appliqué/Embellishment. Have you met someone who has tattoos that mark a period in their life (or do you yourself have such a tattoo)? Throughout human history\, people have embellished their bodies and their clothing to reflect their lives as they lived them. Soldiers wear medals and patches that declare aspects of their service and training; tattoos and scarring may document rites of passage and other transitions; backpacks and jean jackets may be decorated with patches and pins from festivals\, camps\, schools\, travels\, etc. In today’s workshop\, we will add an applique or embellishment to a favorite piece of clothing\, bag\, or other object\, as a reminder of this time of our lives. Perhaps you will begin by making a decorated patch; perhaps you will move straight into embroidering your object directly; or perhaps your embellishment will be hidden from view\, only known to you. Bring a textile (or two) to play with — a canvas bag\, a shirt\, a pair of pants\, a bandana — whatever you would like to transform into a time keeper. \nAugust 23: Hidden Pocket. Today we will reprise a popular workshop from last summer: the hidden pocket. Hidden pockets have been used for millennia to hide\, conceal\, and keep safe objects that the wearer does not want others to see (at least not when they’re walking around town). During the Soviet Era\, hidden pockets in large overcoats were used to transport handwritten Samizdat. In the Iron Age\, a woman who lived in modern day Denmark wore a cloak with a secret pocket sewn closed (she is known as the “Huldremose Woman.”) that contained small objects that have been described by archaeologists as talismans and charms. Today we will sew a hidden pocket into a piece of clothing (and perhaps make an object or two to keep in the pocket as well)\, or make a small pouch that can be worn around our necks and hidden in our shirts\, or around our waists and hidden in our pants. Perhaps your hidden pocket is visible from the outside\, even if it’s contents are not\, or perhaps your hidden pocket is truly hidden from everyone but you. What will you keep in your pocket? \nAugust 30: Finish It Clinic. Today\, we will finish up projects. If you don’t have anything to finish\, don’t despair! Come and I will give you a project from a past workshop to do during our time together. \nAbout the teaching artist \nKate Ingold is an LA-based artist and poet working with the discarded\, the damaged\, and the worn out. Materials and methods include textiles\, collage\, photography\, video\, ceramics\, and performative installation. She works in series driven by conceptual concerns and is currently making work in two interwoven projects: Relics for Future Rituals and Damaged Goods/Small Repairs. \nRSVPs for this free program do not guarantee admission. Limited seating is available on a first come\, first served basis. \nAn ADA-accessible entrance to the Wende Museum Community Center is available through the garden gate from the parking lot. This gate will be opened approximately 15 minutes prior to the program.
URL:https://wendemuseum.org/event/samizdat-sundays-2-2/2026-08-23/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://wendemuseum.org/wp-content/uploads/2025/07/hippie-flag-16x9-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260823T140000
DTEND;TZID=America/Los_Angeles:20260823T150000
DTSTAMP:20260824T174055Z
CREATED:20260723T192504Z
LAST-MODIFIED:20260824T174055Z
UID:10001692-1787493600-1787497200@wendemuseum.org
SUMMARY:Illustrating Picture Books with Stephanie Lunkewitz
DESCRIPTION:Join our Picture Book Illustration Workshop led by author and illustrator Stephanie Lunkewitz. \nIn six engaging sessions\, you’ll explore storytelling\, drawing from nature\, mixing real life with fantasy\, different illustration techniques\, character design\, and storyboarding. You can choose to attend any or all of the sessions. Whether your goal is to write a story\, create illustrations\, or simply learn more about picture books\, this workshop is perfect for you. It’s open to families\, adults\, and anyone age 15 and up. Minors must be accompanied by adults. All required materials will be provided. \nAug 9 — Introduction to Children’s Literature and Storytelling \nAug 16 — Observational Drawing and Nature Inspiration \nAug 23 — Blending Realism and Fantasy in Illustrations \nSept 6 — Techniques in Illustration \nSept 13 — Character Design and Development \nSept 20 — Storyboarding and Creating Book Dummies \nAbout Stephanie Lunkewitz \nStephanie Lunkewitz\, a German-American illustrator and author\, was born into an intellectual family in East Germany and came to the West at age 12 the night after the Berlin Wall fell. Her mother\, director of the Bauhaus library in Dessau\, and her grandparents\, prolific children’s book illustrators\, shaped her creative path. Stephanie studied textile design and art history in Germany and Italy\, and built a career that includes award-winning work in silk weaving\, real estate redevelopment\, and children’s literature. She has published three illustrated books and is currently on tour with Holocaust survivor Eva Szepesi\, whose story she adapted for young readers. \nIn 2025\, a firestorm in Pacific Palisades destroyed her family home\, studio\, and much of her art archive\, but key works were saved and will be exhibited. A member of SCBWI and board director at the German Academy for Children’s Literature\, she divides her time between Frankfurt and Los Angeles\, where she runs a real estate company\, supports arts institutions like the Wende Museum\, and continues to explore her family’s history\, including her grandfather’s role in the 1953 uprising on Stalin Allee. \nADA access to the Wende Museum’s Community Center is available through the garden gate from the parking lot; this gate will be opened approximately 30 minutes before the program.
URL:https://wendemuseum.org/event/illustrating-picture-books-with-stephanie-lunkewitz/2026-08-23/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Family,Workshop
ATTACH;FMTTYPE=image/jpeg:https://wendemuseum.org/wp-content/uploads/2026/07/IMG_6156.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260826T160000
DTEND;TZID=America/Los_Angeles:20260826T180000
DTSTAMP:20260702T231431Z
CREATED:20260105T220340Z
LAST-MODIFIED:20260702T231431Z
UID:10001662-1787760000-1787767200@wendemuseum.org
SUMMARY:Saved by a Story–Intergenerational Writing Group
DESCRIPTION:Participants ages 14 and up welcomed. Please arrive 5 or 10 minutes early to get settled\, as we start the group promptly at 4pm. \nWe are excited to come together in community\, to dive into our creativity and share our stories. \nWhat is Saved by a Story-Intergenerational Writing Workshop at the Wende Museum? Participants of all ages write to prompts to spark creativity\, share stories and build community. We write to surprise ourselves and discover the bounty of stories that lie within. \nWe come together and write\, choose to share (or not\, you decide)\, listen and write some more.We do this in the beautiful environs of the Wende Museum and its provocative and compelling collection. Some of our prompts will help us engage with the current exhibitions as well as engage with each other. \nIn later groups\, we will draft stories and workshop them. \nWe offer creativity and community in a non-judgmental environment. \nThe writing group meets in person on the second and fourth Wednesday of the month. \nPlease arrive 5 or 10 minutes early to get settled as we start punctually at 4pm. \nWhat you will need:– a note book–nothing fancy–a pen–if you prefer to write on a computer\, feel free to bring that. \nWhere: \nWende Museum’s Community Center\nin the Cotsen Learning Center on the Second Floor\n10858 Culver Boulevard\nCulver City\, CA\, 90230 \n310-216-1600 \nPlease enter through the garden gate from the parking lot at 10858 Culver Blvd. \nRSVPs for this free program do not guarantee admission. Doors will open and seating will begin 15 minutes prior to the start of the program. Limited seating is available on a first come\, first served basis. Please note that doors will close promptly at the program’s start time and late entry will not be permitted.
URL:https://wendemuseum.org/event/saved-by-a-story-intergenerational-writing-group-4/2026-08-26/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Wellness,Workshop
ATTACH;FMTTYPE=image/png:https://wendemuseum.org/wp-content/uploads/2026/01/intergenerational-writing-group-cover-photo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260830T103000
DTEND;TZID=America/Los_Angeles:20260830T123000
DTSTAMP:20260901T200702Z
CREATED:20260828T165242Z
LAST-MODIFIED:20260901T200702Z
UID:10001687-1788085800-1788093000@wendemuseum.org
SUMMARY:Samizdat Sundays
DESCRIPTION:Join us for Samizdat Sundays—hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each week offers a different project\, connecting archival stories of subversion with contemporary making. \nWe encourage participants to bring an item each week—a T‑shirt\, a pair of jeans\, or any textile you’re ready to transform\, repair\, or experiment with. \nEach session is free\, open to all skill levels\, and guided by artists who delight in subversion and play. Come for one or come for all—together we’ll stitch\, alter\, repair\, and imagine new forms of expression. \nJoin us for Samizdat Sundays—hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each week offers a different project\, connecting archival stories of subversion with contemporary making. \nAugust 30: Finish It Clinic.\nToday\, we will finish up projects. If you don’t have anything to finish\, don’t despair! Come and I will give you a project from a past workshop to do during our time together. \nSeptember 6: Model Memory\nIn “The Sextant\,” the exhibition in the main gallery of the museum\, artist Enrique Martinez Celaya presents a handful of paintings and sculptures\, including a scaled-down replica of the house his father built in the sugar-producing town in Cuba where Martinez-Celaya grew up. The slippery nature of memory and a deep sense of loss emanate from the work\, some of which are quite literally covered in suffocating sugar\, which seems to imply the weight that memories can carry. The installation touches on exile\, dislocation\, and the incongruities of memory and dream and our actual lived experience. This week\, we will visit the exhibition together and then return to the classroom to make a model of a place from memory. This model can be a 3D sculpture\, a collage\, a 2D drawing\, or a textile piece\, or perhaps a combination. It can be of a whole place or a small detail; a window sill or a cathedral. What place will you recreate? \nSeptember 13: Navigating Our Way\nEnrique Martinez-Celaya’s exhibition\, “The Sextant\,” is named for a tool for celestial navigation used in the faraway time before GPS and digital navigation. We often talk about ‘“navigating” tough situations\, emotional ups and downs\, life transitions\, and\, of course\, in the literal sense of finding our way to a physical location using a map or landmarks. Today we will explore the idea of making a map. Perhaps your map will be a conceptual map\, or perhaps it will be a map of the palm of your hand. Your map can be sewn into a pocket or drawn on a magazine cover. Where will you navigate to this week? \nSeptember 20: All That Jazz\nHave you been so hooked by a song that you listened to it over and over again\, perhaps to the point of exhaustion? The Icelandic artist Ragnar Kjartansson\, in his performance/video work “A Lot of Sorrow\,” invited the band The National to perform their song “Sorrow” for over six hours\, a sort of live-action version of what many of us have done in our living rooms and cars with cassette tapes and MP3 files. Many artists have been inspired by music and have made artwork in response to their favorite songs. In the Undercurrents show of 2023\, the Wende exhibited artworks about jazz and jazz musicians by artists in the Soviet Bloc. Inspired by this work\, we will make an artwork in response to music — a favorite song\, perhaps\, or favorite performance\, album\, musician\, musical or opera. Or perhaps yours will be in relationship to a bird song\, or a lyric\, or a rumbling train. Your artwork can be on paper\, or with textiles\, or a patch to put on your favorite jean jacket. \nOctober 4: From One to Many\nTaking inspiration from Jan Sawka’s Invasion/Trees series\, which was featured in the Undercurrents I show in 2023\, we will tell a story through a series of three or more pieces that share the same elements but demonstrate a transformation. Sawka’s series began with a print of a tree in a landscape. Each piece in the series is based on this same image\, yet each one is different\, and a story is told through a growing red cloud or fog that seems to overtake the image as the pieces progress. We will not begin with prints\, but can echo Sawka’s strategy by choosing an element (or two) that will appear in each of the pieces in our series. Perhaps your element will be a shape (circle\, square\, triangle\, etc.) or a color (blue\, purple\, yellow\, etc.)\, or a pattern or texture (textile works are welcome!). Begin with a shared element and see where the series/story takes you! \nAbout the teaching artist\nKate Ingold is an LA-based artist and poet working with the discarded\, the damaged\, and the worn out. Materials and methods include textiles\, collage\, photography\, video\, ceramics\, and performative installation. She works in series driven by conceptual concerns and is currently making work in two interwoven projects: Relics for Future Rituals and Damaged Goods/Small Repairs. \nRSVPs for this free program do not guarantee admission. Limited seating is available on a first come\, first served basis. \nAn ADA-accessible entrance to the Wende Museum Community Center is available through the garden gate from the parking lot. This gate will be opened approximately 15 minutes prior to the program.
URL:https://wendemuseum.org/event/samizdat-sundays-2-2-2/2026-08-30/
LOCATION:The Wende Museum’s Community Center\, 10858 Culver Boulevard\, Culver City\, CA\, 90230\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://wendemuseum.org/wp-content/uploads/2025/07/hippie-flag-16x9-1-scaled.jpg
END:VEVENT
END:VCALENDAR